Orange

Orange amps are characterised by their distinctive colour, original sound, great build quality and over engineering that sets them apart and above their rivals.

Orange Bass Terror

The original bass terror in its small tin box with carry bag was an immediate success. Great sound and highly portable. It comes in 500w and 1000w variations and is pretty reliable.

Some issues that I have come across are:

  • Power supply dying, blowing fuses repeatedly usually suddenly. Fortunately repair is achievable and if not replacement modules from Orange are available.
  • Power amplifier burn out caused by overheating, overload or just bad luck.
  • Other faults are typical service things like valves, control pots and jacks.
  • Like all class D amps reliance on good fan airflow is essential so make sure to clean it out every couple of years or so.

Repair success is pretty good on these amps thanks to the excellent support from Orange.

To prevent damage to your OBT make sure you dismantle and vaccuum out all of the dust from the fan once in a while. Class-D amps rely on cool running to keep working any reduction in the cooling ability will cause the amp’s early demise.   

  1. Turn your amp of
  2. Use a paint brush to dislodge any engrained bits from the fan blades whilst using the vacuum to suck away the debris.
  3. Repeat every year or two. 

Dusty old OBT

Video showing power supplu startup proecdure following repair

 

Orange Rocker 30

These 30w, 1×12, dual gainy channel amps have very little to go wrong in them.  The only issues I have seen are from typical wear items like damaged pots, jacks and valves.

Park

Here is a rare old Park 50 that was entrusted to me recently by a discerning collector. Great build quality on these hard to find marshall plexi style amps.

Amp Restoration

This section is about some techniques and ideas for restoring old equipment. First section is on Cap restuffing. On vintage amps and radios we often want to retain the amps capacitors since they such a part of the look. Particularly true when they are visible like on Ampeg flip tops. In the above case of … Read more

HiFi

I don’t really work on HiFi, why you ask?  It’s a fair question and the reason is that there are just so many different makes, manufacturers that it is difficult to gather any experience on them all.  So there are a few makes that I like or have success with and I will accept them … Read more

Marantz Hifi

I really love the sound of the old Marantz HiFi amps from the 1970s.   Walnut veneer chip board surrounds, glowing lights what a joy.  I don’t usually work on HiFi but here I make an exception. These amps are made to the highest standards and feature great transformers and parts top to bottom. A couple … Read more

Matchless

They really are… Great build quality start to finish. Carpeted capacitor bed. Though red tape is a bit of surprise. Sealed pots Paper wound transformers All screws locked with sealant Anti vibration valve sockets Valve clamps Ventilated pre amp tube shields Neat wiring and point to point layout Very low noise. Anti vibration pad lined … Read more

Mesa Boogie MK IV

Too many controls on a Boogie’s front panel for me to be a fan but people seem to love them. This one below was cursed with a strange fault of bias instability which would lead to humming as the bias drifted off and ultimately to red plating after 30 mins or so. The cause of … Read more

Fender Supersonic Twin 100

Seen a few of these recently and worth sharing some problems and interesting solutions that I have found. Fender Supersonic – no sound or fading sound If your amp produces no output and the lights on the back are flashing about then you might have a faulty autobias unit. The auto bias unit fitted to … Read more

Amploft